Gear Talk: MXR M80 Bass DI+

The MXR M80 is a modest little stompbox with the ability to dial in a HUGE range of tones!!! 


I’ve been wanting to get into the world of music gear reviews for a while now, so I figured, why not start with the heart of my bass guitar rig! The mighty MXR M80.

I am just going to specify, that this is NOT a paid review. I am doing this of my own free will, and any views expressed here are my own. (Although, I am open to having companies send me gear to check out!!!!!)


Just look at that thing. It’s ready to rock!!

So, why should this be an integral part of every bass player’s arsenal you ask??? Well, let me tell you.

It is the ONLY pedal you will ever truly NEED

I say that, being the owner of many guitar/bass pedals.. but honestly.. it’s the truth. I can go to practice with just this bad boy and be confident that I can get a good Finger style tone, slapping tone, picking tone, or throw some dirt on the signal without needing anything else.  So, I’ll tell you how the thing works, and then give my final thoughts on it!

Let’s talk about features..

First, the ‘clean’ section

We will start with the simple things, on the top left you will see a volume knob, this is the obvious one.. When the left button is activated, the ‘clean’ circuit is engaged. At about 12 o’ clock you can pretty much match the passive volume of your bass.. which means you can use this volume knob as a boost, if you turn it above that point…. Now, if you look to the left of that knob there is a ‘Color’ switch. When that is engaged, it activates a preset EQ setting that scoops the mids, and boosts some bass and treble frequencies to give you, arguably, the best clean tone I’ve ever heard!!! I usually keep that color switch on, and set the volume to match my passive volume… That way I can have a completely different tone with the push of a button!  I have also used this pedal as a kill-switch, when I first created my “Royal Blood” inspired pedal-board… So, Just in this first section of the pedal you have 3 very realistic uses.

The Distortion section

The distortion portion of this pedal is WIDELY adverse. You can get anything from a light little bit of dirt on your tone, to facemelting screaming distortion!!!  Starting with the Volume knob, which obviously determines your output volume, which you can again match to your clean tone, or boost a little louder (I often find myself having to set it a little louder than my clean tone, for the sake of retaining low end.)  To the right of that is the Blend knob. This is key to getting a great tone out of your distortion pedal. I usually set this between 12 o’ clock and 2 o’ clock, depending on how heavy of a tone I want. If you go much further than that, you really start over-saturating your tone and lose all hopes of having some bottom end.  Next, is the Threshold knob and the gate button. The Threshold ONLY functions if you have the gate button pushed in. There’s a nice LED indicator that tells you when the gate is on, and this is a great on-board tool to keep you from feeding back when using heavy distortion. The Threshold controls the cutoff volume for the gate, so the higher you have it set, the faster it will quiet your signal as a note decays… I usually have this set all the way up and turned on.. you may have to set the threshold down a bit, depending on the incoming signal…  Finally, the gain knob which determines how MUCH distortion is added to the channel… I find it funny that this pedal seems kind of backwards, usually the gain is first in the order of knobs on things.. but anyways… Higher obviously means MORE distortion… This works differently from the blend knob… The Blend is choosing how much of the distorted channel is outputted compared to how much of the clean channel is left in the mix. The GAIN is how distorted the distortion channel is! I know that may be a little confusing, but it makes a difference in the overall tone!

3 band Equalizer section

Alright, we’ve dialed in our clean tone.. we’ve got a distortion that will blow the windows out of the club!!! Now, we are on to the final touches of perfecting our tone!  The EQ works with both the clean and distorted channels, so finding a happy medium between the two is a must.. I often find that I need to boost the mids a little and the treble to get the tone i want… You may like a low thumpy bass… So boost it!!  I am not entirely sure where the cutoffs are for the three different knobs, MXR doesn’t really share that information (as well as the EQ curve for the Color switch..) BUT, if I were  to venture a guess the bass would be around 100 HZ, Mid somewhere in the 2.5khz zone and the highs in the 10khz range… It’s not the MOST advanced EQ, but if you’re looking to bring up a certain part of your tone that’s lacking, it will definitely do that.

Ins and Outs!

Alright, You may notice that this doesn’t just have the standard input and output like most pedals do… You have options!! And we like options!!

The regular input and output are a standard mono 1/4″ jack.. this is what you will most likely use with this pedal. If you’re like me and you run it at the end of your chain, you also have the option to Direct out, which is a standard XLR output with a ground/lift switch. I generally leave that switch pressed down, as it can get quite noisy if you don’t… even with the standard 1/4″ output.  Another fun feature is the Parallel output on the right side of the pedal. You can essentially use this to split your incoming signal, if you like to run more than one channel… but I wouldn’t suggest it.. it gets noisy. This output is best suited to add a tuner to your pedalboard… Especially if you have one of those garbage Fender tuners that sucks the life out of your tone, when used inline!  (Do yourself a favor and buy a snark floor tuner… I’ll do a Tuner shootout in the future.)

So, that basically covers the functions of the pedal…

In closing… The MXR M80 is a modest little stompbox with the ability to dial in a HUGE range of tones!!!  I have been using this pedal live for at least 11 years… It has been used at EVERY gig I have played (Except for one where my power supply shorted out…), and there have been hundreds…  I have never had to replace it (although I did buy a backup once, just in case.)  It is built like a brick shit house.. I have NEVER had a knob, LED, or even a jack go bad in mine… Take it from someone who’s been playing bass for 18 years. If you don’t have an MXR M80 DI+, do yourself a favor and get one!!!


Thanks for reading this!!! I hope you enjoyed it!! Should I keep doing the occasional gear review? I have a passion for my gear, and love sharing what I use with the world!


Today we are supposed to write our feelings on the word Disappear.

I’ve already deleted one blog post on this… it got a little too despairing for my tastes…

So, I’m going to go a different route!!!

My band, Audiobox, is in the studio!!! It’s been about 5 years since we released our first album…. and now it’s time to bring you our second full album!!!

We decided this time around to record our whole album in-house! And I literally mean ‘In-House.’ We bought the equipment, made sure it worked (Check out our single Summer Days, below), and now we’re doing the real thing!

What does this have to do with Disappear, you ask? ‘Disappear’ is one of the new songs on our upcoming album, and my personal favorite!!!  As a bass player, it gives me a chance to do two things:
A. Play some funktastic slap riffs.
B. melt faces with some overdriven bass thunder!!!

It’s so much fun to play, because I get a chance to really show off my favorite techniques on the bass guitar… from slapping and popping like Flea, to playing huge chords and bending pinch harmonics like I’m some kind of guitar player…. Well, enough talking about it.. Here’s Cellphone video that someone got from a local venue of us playing Disappear as a 3 piece, before we hired on our 4th Member:

The quality sucks, but you can hear what I’m talking about there… It’s rock and roll… it melts faces… and listen to those bass riffs!!!

Anywho, as excited as I am to share our new music.. I’m more excited to be at the controls of the studio. I love performing music, but not nearly as much as I enjoy recording it… bringing a bunch of raw files together, mixing them, adding effects, making them sound great together is such a great experience!!!

Are there any other Musicians out there? Do you enjoy recording as well??  I love having a home studio.. it was a dream of mine ever since the first time I recorded a song with a band.

Alright, shorter post today, but I have to get some work done!! Thanks for reading, and keep rocking out!!!

Place in the World (On Stage)

Place in the World

I grew up in a very musical home. My Father played bass in a very popular local Rock cover band called Night Flight.  My parents were always listening to music. My mother was an artist, who also would sing around the house and plunk on a guitar. Dad also played the acoustic beautifully.  Ever since the first time I saw a concert, I wanted to be a musician. The cheering crowds… doing something you love to entertain others… it was like a little piece of perfection that I had to get my hands on.


I remember my second grade teacher, Mrs. Losch, telling my mother that “If that boy doesn’t grow up to entertain people, he will be wasting a huge talent.”  after my breathtaking performance of Prince Charming in the play version of… ‘Cinderella’ (End Sarcasm)

Performing to a crowd is my place in the world. It doesn’t matter if it’s a small bar packed with people, or a large professionally built stage with top quality sound and lights. As long as I am playing music and making people happy, I am content.

My wife always compares my love for music as being a physical part of who I am. She has said things like “Not being able to play music, would be like losing one of your extremities.” And it’s true… performing music has been my leg to stand on, for the majority of my life…

So, there it is… The awesome picture I used above was from a performance at Fat Daddy’s in York, PA. Photograph Credit to Christine C Photographie, for more of her amazing work, you can look here!


Thanks for reading! What are your passions? Where are you the most comfortable in this world? I know it’s the photo challenge, but I want to hear your personal thoughts on this!!

Have a great day!


Musical Influences Ep1: Victor Wooten

If there’s something I can talk about, until I’m blue in the face, it’s music.  From theory, to its effect on our mood, deep lyrical ideas, to chord changes that give you goosebumps… it’s something that is such a large part of my life, i find a way to integrate it into every part.

I’m going to try a ‘series’ of posts talking about my biggest influences, as a musician. These are in no particular order (well, maybe this one is the most important, but the rest won’t be..), and I will write them as I think of them!

Does the name Victor Wooten mean anything to you?  Funny, that you probably haven’t heard of a guy who is a recipient of 5 Grammy awards; as a bass player, written 3 books, is an all around decent man, and an incredible teacher.

Probably because he isn’t a pop-star. He’s just talented beyond your wildest imagination!

I got to meet Victor briefly, and I promise I’m not going to romanticize this meeting. I was starstruck. My jaw hit the floor as I stood in front of the man who has no idea I exist.  What he didn’t know is this: I picked up the bass guitar from watching a VHS tape my dad had recorded of some Jazz festival in the mid ’90s, of two songs Bela Fleck and the Flecktones played.
After a few brief moments of silence, as I stood in front of my biggest influence, my friend Matt looked at him and said “He’s a really big fan.” I shook his hand, then ran into him later after his show. He signed the pick guard for my prized mid-80’s Fender Jazz bass, and I went on my way.

“The Sinister Minister” is the song that made me want to play the bass. The funky groove, high energy, and that damn bass solo.. From a song that didn’t even have spoken lyrics, is what captivated me to start plucking on a bass.

In fact, here’s the exact video that sparked my obsession:

Now that you’ve seen that… and I really hope you did. Maybe you can understand a little more about me, as a musician.  When I picked up the bass, I wanted to be able to to that.  After years of practice, I haven’t learned all of his tricks, but I’ve taken bits from his style of playing and added it to my own mixed bag of styles to create MY sound.

Here I am, almost 18 years later, hailed (not by myself, mind you) as one of the best bass players in the area. People know who I am, and I have a local “following.” It’s a weird concept to me, because I’ve never really thought of myself as that.

Aside from being a great musician, Wooten is also a great human being. He’s very in tune with nature, one of THE most modest people you would ever want to meet, and very kind.  He speaks to young musicians in a way that will comfort them as they come into their own. One of my favorite quotes of his, that I use all the time “You are never more than a half step from a wrong note” encourages the idea that if you DO hit a sour note, just bend it up or slide down and you’re in the ‘right key’ Now, from a young aspiring musicians perspective, that’s some impressive advice.

His website had (may still have) some of his lessons, when I started really beginning to understand how the bass worked.  A couple were sort of life-lesson sort of things, but a few were very deep into his methodology of the bass guitar.  The one that changed my ideas on the bass forever was the “Thump, Hammer, Pluck” Technique, which took me forever to understand (mind  you I was 13-14 years old trying to decipher the knowledge of a life-time musician.   The idea that you don’t have to play every strike of a note with one hand, is the basis.  Thump – to strike a string with your thumb, Hammer – to hammer a note, and Pluck – to pull a string or ‘pop’ it with one of your other fingers. I would spend hours at school drumming triplets out on my desk in this fashion: Right thumb, any finger on my left hand, then my right index or middle finger. This eventually evolved into the tump,hammer, pluck,pluck, or the thump, hammer, thump, pluck.. or any variation of alternate notation… It’s how he plays so fast- with seemingly no effort at all. It’s genius ideas like that, that have made him the number one bass player in the world.

I hope you’ve learned a little bit today about music, its influences on me, and why I’m so passionate about something other people tend to overlook.

Thank you, so much, for your time! Hope you all have a wonderful day!