Music Monday Vol 2… also, I know it’s Tuesday

So, I was sitting here thinking about what to write about… and I forgot to do a music monday post!!!

It’s been a crazy week and weekend… and frankly, I’ve had a bit of writer’s block… I think the fear of the Daily Prompt leaving has got me in a tizzy…

Regardless, here’s what I’ve been listening to!!

I recently got asked to sit in for a gig with another local band next month.  They play a lot of great music!!! A lot of which is complex, and actually has me TRYING to play the bass.. which is not something I often have to do… My band tends to pick simpler songs, for whatever reason.. but I love the technical stuff!!!!  So, here are a few of Graces Downfall’s cover songs and originals that I just love to play!

Cult of Personality – Living Colour

What a ridiculously fun song to play!!  Listen to those syncopated parts.  That bass is phenomenal!  There are some pretty complex riffs in there that have to be tight, or this whole tune can fall apart!! I really enjoy flying all over the fret-board for this one:

Such an awesome tune… I hope you enjoyed that as much as I do!

Hysteria – Muse

No no, not Def Leppard… This song by Muse has one of the most badass bass riffs to come out of the last 15 years… It not only sounds hard to play.. it IS hard to play. I find myself having to focus on not ‘tripping’ over my own fingers to blast that bass line out!!  Check it out:

Chris Wolstenholme is one hell of a bassist, and the perfect fit for that Trio.

I Only Lie When I Love You – Royal Blood

Royal Blood is my current music obsession.. I love Mike Kerr’s style of playing and vocals.. the way he makes his bass sound like 3 instruments is unreal!!! My drummer and I also cover their songs Figure it Out, and Out of the Black during live shows in my band Audiobox. This will be my first time playing a Royal Blood song with a 4 piece band, and I still am no less excited!!  This song is both heavy and poppy. The riffage coming from Kerr’s bass, matched with the Ridiculously underrated drumming of Ben Thatcher, just kicks ass from Britain to here and back!!

Guerilla Radio – Rage Against the Machine

Here’s a band who needs no introduction… And here’s a song that just pounds on your ear drums from start to finish. Tim Commerford and Brad Wilk make up one of my favorite Rhythm Sections in 90’s rock… I’d say the only other bass/ drummer duo that can even come close to the talent these two would have to be Flea and Chad Smith (of the Chili Peppers).   I love the bass line in this song.. it’s somewhat minimalistic, and serves the rest of the music perfectly. There is so much more that could be put in here, but it’s not necessary. Tim has always been good about serving the music and playin only what needs to be played.

Fight – Graces Downfall

Here it is, one of the (many) originals by the band I’ll be sitting in with… Their bass player Grant Williams, who is a good friend of mine, can really write some wicked bass parts! I am honored to get a chance to fill his shoes for an evening and play one of the songs he helped write!! Kenneth Norton is one of the best singers in the Pennsylvania music scene, in my opinion, and Mark Yanish’s rips on the electric guitar!! If you haven’t had a chance to check these guys out, you really should! They are, without a doubt, the heaviest hitting band in the North Eastern Pennsylvania music scene!

So, there you have it!!!

If you’re in Pennsylvania, I’ll be playing with Graces Downfall on June 9th at the Oak Street Express in Taylor, Pennsylvania!! We will be rocking all of these great tunes and more!!!

Thanks again to ReadRantRock&Roll for giving me the idea to do music monday!!
I hope you enjoyed what I am listening to and have a great week!!!

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Gear Talk: MXR M80 Bass DI+

The MXR M80 is a modest little stompbox with the ability to dial in a HUGE range of tones!!! 

I’ve been wanting to get into the world of music gear reviews for a while now, so I figured, why not start with the heart of my bass guitar rig! The mighty MXR M80.

I am just going to specify, that this is NOT a paid review. I am doing this of my own free will, and any views expressed here are my own. (Although, I am open to having companies send me gear to check out!!!!!)

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Just look at that thing. It’s ready to rock!!

So, why should this be an integral part of every bass player’s arsenal you ask??? Well, let me tell you.

It is the ONLY pedal you will ever truly NEED

I say that, being the owner of many guitar/bass pedals.. but honestly.. it’s the truth. I can go to practice with just this bad boy and be confident that I can get a good Finger style tone, slapping tone, picking tone, or throw some dirt on the signal without needing anything else.  So, I’ll tell you how the thing works, and then give my final thoughts on it!

Let’s talk about features..

First, the ‘clean’ section

We will start with the simple things, on the top left you will see a volume knob, this is the obvious one.. When the left button is activated, the ‘clean’ circuit is engaged. At about 12 o’ clock you can pretty much match the passive volume of your bass.. which means you can use this volume knob as a boost, if you turn it above that point…. Now, if you look to the left of that knob there is a ‘Color’ switch. When that is engaged, it activates a preset EQ setting that scoops the mids, and boosts some bass and treble frequencies to give you, arguably, the best clean tone I’ve ever heard!!! I usually keep that color switch on, and set the volume to match my passive volume… That way I can have a completely different tone with the push of a button!  I have also used this pedal as a kill-switch, when I first created my “Royal Blood” inspired pedal-board… So, Just in this first section of the pedal you have 3 very realistic uses.

The Distortion section

The distortion portion of this pedal is WIDELY adverse. You can get anything from a light little bit of dirt on your tone, to facemelting screaming distortion!!!  Starting with the Volume knob, which obviously determines your output volume, which you can again match to your clean tone, or boost a little louder (I often find myself having to set it a little louder than my clean tone, for the sake of retaining low end.)  To the right of that is the Blend knob. This is key to getting a great tone out of your distortion pedal. I usually set this between 12 o’ clock and 2 o’ clock, depending on how heavy of a tone I want. If you go much further than that, you really start over-saturating your tone and lose all hopes of having some bottom end.  Next, is the Threshold knob and the gate button. The Threshold ONLY functions if you have the gate button pushed in. There’s a nice LED indicator that tells you when the gate is on, and this is a great on-board tool to keep you from feeding back when using heavy distortion. The Threshold controls the cutoff volume for the gate, so the higher you have it set, the faster it will quiet your signal as a note decays… I usually have this set all the way up and turned on.. you may have to set the threshold down a bit, depending on the incoming signal…  Finally, the gain knob which determines how MUCH distortion is added to the channel… I find it funny that this pedal seems kind of backwards, usually the gain is first in the order of knobs on things.. but anyways… Higher obviously means MORE distortion… This works differently from the blend knob… The Blend is choosing how much of the distorted channel is outputted compared to how much of the clean channel is left in the mix. The GAIN is how distorted the distortion channel is! I know that may be a little confusing, but it makes a difference in the overall tone!

3 band Equalizer section

Alright, we’ve dialed in our clean tone.. we’ve got a distortion that will blow the windows out of the club!!! Now, we are on to the final touches of perfecting our tone!  The EQ works with both the clean and distorted channels, so finding a happy medium between the two is a must.. I often find that I need to boost the mids a little and the treble to get the tone i want… You may like a low thumpy bass… So boost it!!  I am not entirely sure where the cutoffs are for the three different knobs, MXR doesn’t really share that information (as well as the EQ curve for the Color switch..) BUT, if I were  to venture a guess the bass would be around 100 HZ, Mid somewhere in the 2.5khz zone and the highs in the 10khz range… It’s not the MOST advanced EQ, but if you’re looking to bring up a certain part of your tone that’s lacking, it will definitely do that.

Ins and Outs!

Alright, You may notice that this doesn’t just have the standard input and output like most pedals do… You have options!! And we like options!!

The regular input and output are a standard mono 1/4″ jack.. this is what you will most likely use with this pedal. If you’re like me and you run it at the end of your chain, you also have the option to Direct out, which is a standard XLR output with a ground/lift switch. I generally leave that switch pressed down, as it can get quite noisy if you don’t… even with the standard 1/4″ output.  Another fun feature is the Parallel output on the right side of the pedal. You can essentially use this to split your incoming signal, if you like to run more than one channel… but I wouldn’t suggest it.. it gets noisy. This output is best suited to add a tuner to your pedalboard… Especially if you have one of those garbage Fender tuners that sucks the life out of your tone, when used inline!  (Do yourself a favor and buy a snark floor tuner… I’ll do a Tuner shootout in the future.)

So, that basically covers the functions of the pedal…

In closing… The MXR M80 is a modest little stompbox with the ability to dial in a HUGE range of tones!!!  I have been using this pedal live for at least 11 years… It has been used at EVERY gig I have played (Except for one where my power supply shorted out…), and there have been hundreds…  I have never had to replace it (although I did buy a backup once, just in case.)  It is built like a brick shit house.. I have NEVER had a knob, LED, or even a jack go bad in mine… Take it from someone who’s been playing bass for 18 years. If you don’t have an MXR M80 DI+, do yourself a favor and get one!!!

 

Thanks for reading this!!! I hope you enjoyed it!! Should I keep doing the occasional gear review? I have a passion for my gear, and love sharing what I use with the world!

Musical Inspirations Vol. 2: Nobuo Uematsu

I know what you’re thinking: Who the hell is that?

Nobuo Uematsu is famous for his composition/arrangement works with the video-game company Square. He wrote most of the scores for over 30 of their games, including the core Final Fantasy franchise.

Also keyboard player for “The Black Mages” a group that took music from the franchise and turned it into a rock band.

Okay, but what does that have to do with you?

Glad you asked.
I try to find inspiration in every kind of music I listen to, and some of the best music I’ve ever heard has been written in video-games!

Don’t believe me? Can you recall the music from the classic NES game Super Mario Brothers? I bet you can. How about any music from The Legend of Zelda.. It’s iconic.

Personally, Nobuo is the reason I managed to figure out how to finger-pick on an acoustic guitar, and I’m honestly not too bad at at!
Specifically this piece of music:

It’s a beautiful piece of music and unless you know it’s from a video-game, you would never think otherwise.

His music is very technical and interesting. I think I hummed the boss theme from FF8 all the way through my 8th grade year of school, because it was such a memorable piece of music.

Then there’s the mighty symphonic “One Winged Angel” which sits near and dear to any RPG nerds heart.

I saw an interview once where Uematsu explained the writing process. It wasn’t meant to just be a symphonic piece. It was written in a way that it could also be a Rock piece. A perfect bridge between the big band style & the modern era heavy metal.

Isn’t that beautiful? I sure think so.

Being a long time band-geek has its advantages,

Through my early years of a musician, I learned how to listen to a massive group of people playing instruments, and being able to isolate each individual part, in my mind.

It’s one of the reasons I love modern progressive rock. There is SO much to listen to, I can sit and get lost in the music, without being bored with repetition.

People who arrange pieces of music like this, are the types you should be listening to. They are smart about writing. They know how to take an idea, and implement it through a whole arsenal of tones and sounds.

 

So, I challenge you:

Next time you’re listening to music. Actually listen to the music. Don’t idly drone words and zombie your way through albums. People put every single detail into a song, for a specific reason. It’s our duty, as fans, to find those details and appreciate the beauty of what’s been written for our entertainment. Really think about the way the music feels.

If we had more people like that in the world, music would be a hell of a lot more fun to write!

 

Thanks for reading! I hope you’re all enjoying this look into my musical inspirations, as much as I am!